A handwoven sterling silver chestpiece designed to come alive on the body. While static images suggest structure, the piece fully resolves only in motion—responding to breath, posture, and gravity as it settles into place.
The form is built from a custom cross-based weave that establishes a rhythmic upper structure, framed by a Full Persian border that carries weight and containment. From this framework, linked Byzantine elements suspend a series of draped triangular fields, allowing the surface to articulate and shift as the wearer moves.
Negative space is not incidental here—it is structural. Each opening lightens the form, each junction carries load, and the final geometry is completed by the body beneath it.
Exhibited in NYC Jewelry Week, this 6 Oz chestpiece exists between ornament and architecture: worn, activated, and never fully still.
A handwoven sterling silver chestpiece designed to come alive on the body. While static images suggest structure, the piece fully resolves only in motion—responding to breath, posture, and gravity as it settles into place.
The form is built from a custom cross-based weave that establishes a rhythmic upper structure, framed by a Full Persian border that carries weight and containment. From this framework, linked Byzantine elements suspend a series of draped triangular fields, allowing the surface to articulate and shift as the wearer moves.
Negative space is not incidental here—it is structural. Each opening lightens the form, each junction carries load, and the final geometry is completed by the body beneath it.
Exhibited in NYC Jewelry Week, this 6 Oz chestpiece exists between ornament and architecture: worn, activated, and never fully still.
